The American sculptor Moses Ezekiel came to Rome in 1879, aged twenty-nine. The elaborate studio he built in the ruins of the Baths of Diocletian was, said one observer, ‘a stupendous spectacle, strewn with the mighty monuments of the past, a wilderness from which nothing now springs but grass, fever germs and noble thoughts’. The artist donated this bust in 1909 together with a beautiful first edition of The Revolt of Islam.